White Sox fans, how do you bear it?

Ken Harrelson? KEN HARRELSON!

I’m trying to watch pre-season baseball on WGN, and my old, dormant hatred of him is erupting.

My god. I don’t think it would be possible for another play-by-play guy to out-obnoxious Hawk Harrelson.

He’s on mute. Which reminds me, baseball sure is purty and green, even in the desert.

The cons of publishing

So my mother asked me when my next book was coming out, and I didn’t have much of an answer since I’m not doing much writing.

Then she said, “Oh, well, everyone is really looking forward to it, if it’s more cheerful.”

Nothing like a little “if” to brighten your day.

Some days, I’m proud of my book. Other days, I regret doing it. Today is one of the regretful days. Thanks, Mom.

Poetry boards issue 6–getting out of the rut

Designing the perfect poetry board is a contentious issue. I’m going to take a couple of unpopular stands. Debate is welcome.

Resolved: Most people who stick with a single board will eventually stagnate.

When you’re new to writing, hearing all of the different voices and ideas is intoxicating. Like newborns, we grow so quickly at this stage just from exposure to all of that stimuli.

But I think there comes a point for most of us where we have to leave the workshop, or at least leave any particular workshop where we’ve established ourselves, and change things up.

It seems sometimes as if poetry skill is almost like a gelatin. The constant heat of the workshop makes it liquid, able to conform to various shapes but unable to withstand pressure. Leaving the workshop allows a poet to firm up her own thoughts in the absence of so much noise. At that point, the workshop changes, becoming more of a taste test for the lime Jell-O in the shape of a penguin. (I will stretch this analogy until it breaks!)

I don’t think poets outgrow workshops in general, though I do think some workshops foster a sense of childish dependence and paternalism through condescending moderation and rigid hierarchies. The constant refrain of “You can’t…” or “You must…” or “Only we can…” becomes an excuse to avoid risk. Eventually we all have to learn that simply following the rules won’t net art, and only some of us can do that within the comforting confines of a workshop.

Poetry boards issue 5–immoderate moderators

Designing the perfect poetry board is a contentious issue. I’m going to take a couple of unpopular stands. Debate is welcome.

Resolved: Nothing ruins a board faster than bad moderators.

I know. I was one.

Actually, I doubt this is an unpopular stand. I think we all know that bad moderating is deadly, but we might all disagree what bad moderating is.

What might be unpopular is my contention that moderators shouldn’t post poetry or crits. Their words get too much weight by the power of the name tag, and many if not most mods aren’t especially gifted in either poetry or critique.

The best solution I’ve seen for the problem of moderating is on a board where I am a paid moderator. The level of professionalism there is very high. No one wants to lose their position, and real money is way more fun than fake power.